Ian Jack writes:
Thanks to the
reconfiguration of the imperious but wayward HSBC bank, the name Midland may soon reappear above a thousand of its British branches.
If it does– HSBC
has yet to fix on the new name for certain – then an optimist might see the
change as a portent; if not quite on the scale of Noah’s dove returning across
the waters with an olive leaf, then certainly something to lift the heart of
anyone who believes that institutions and businesses should have names that
reflect their history and purpose – that their titles should be specific and
transparent, even engaging, rather than mysterious acronyms or Esperanto-like
nouns put together at great expense by branding consultants who have persuaded
their clients that they need to be called by a word that can be spoken as
easily in Swahili as in Mandarin.
In my book, Mrs Thatcher was never more
likable than when she took out her handkerchief and knotted it around the tail
of a model British Airways jet to hide a new design that disowned the union
flag – BA then trying to be “the world’s favourite airline”, embracing a
thousand cultures and belonging nowhere in particular.
Midland isn’t, I admit, the most inspiring of names.
My
clockwork toy engine had LMS painted on the side, and when I discovered this
meant London, Midland and Scottish railway, the middle initial represented an
area that was far less attractive to me than the other two; the most middling,
you might say.
Likewise with British Midland, the defunct airline, or the
adjective “Midlands” when attached to professions such as writer, comedian and
pop star. But this is no more than a thoughtless calumny; there is DH Lawrence,
Philip Larkin and George Eliot to consider as well as Slade and Jasper Carrott.
The Midland Bank arrived long
before any of them. It opened a Birmingham office in 1836, grew by absorbing
its local rivals, and in the last years of the 19th century got a foothold in
the capital when it merged with the Central Bank of London to become the London
City and Midland Bank.
By 1918, expansion through acquisition had made the
Midland the biggest bank in the world, and its innovations and emphasis on
customer service over the next 80 years (it was “the listening bank”) kept it among Britain’s
so-called “big four” retail banks until, in 1992, it was taken over by a bank
with very different origins – in imperial trade rather than domestic
manufacturing.
To secure the takeover, the Hongkong and Shanghai Banking
Corporation, which had been founded by a Scottish shipping grandee in the
1860s, moved its headquarters to London and reinvented itself as HSBC Holdings.
HSBC then began to buy banks everywhere until, like the Midland before it, it
could claim to be the world’s largest, with 266,000 employees spread across 80
countries and, eventually, a
reputation stained by
the tax evasion and money laundering that it permitted some of its customers.
On a British high street, unlike, say, in a trader’s
office on the Shanghai Bund, the letters HSBC meant little or nothing. But at
least they were a straightforward acronym, like ICI or BR or BOAC: meaning
could be got with just a little delving. The next generation of company titles
were much more opaque.
When the drink-and-food businesses Guinness and Grand
Metropolitan merged in 1997, the Wolff Olins branding consultancy was
commissioned to devise a new group title and came
up with Diageo, which according to its Wikipedia entry splices the Latin
word for “day” with the Greek word for “world” and somehow implies that its
products give pleasure every day, everywhere.
(It was also Wolff Olins who
devised the
logo for the London Olympics, which managed to be both ugly and
anonymous.)
Three years later, Norwich Union merged with another insurance
company, CGU (a semi-acronym that came from an earlier merger of Commercial
Union and General Accident), and after a poll of shareholders adopted
the name Aviva on the
grounds that it was memorable and universal – at least if you took the universe
to mean people who’d done Latin at school or knew a Latinate language.
To
anyone who grew up with Norwich Union advertisements that ran the line “A fine
city, Norwich” beneath a dignified picture of the castle or cathedral, this
seemed a loss; it may even be that by abandoning this civic identity, Aviva
contributed to – or did nothing to prevent – Norwich’s later reputation as a
Hicksville that could tolerate Alan
Partridge.
How much these changes cost, and
to what profit, is anyone’s guess. Certainly, branding consultants don’t come
cheap.
One imagines the boardroom meetings, the assistants bringing coffee,
Evian and fresh fruit, the PowerPoint presentations, the Venn diagrams, the
long pursuit of the word that will serve the business best, until after all
that labour a mouse is at last brought forth – Diageo, Aviva, Arriva – and with
it the bill for a million or so, not including VAT.
These days it can be done for
much less expense.
I recommend a trip to the online agency BrandBucket,
where you can buy a domain name and its logo for as little as $1,395.
Bonbilla,
for example, or Fantigo or Prudentum or Dignico or Nonova: there are 6,500
invented or “coined” names for sale, each ready to grow your business “with
unique sounds that evoke a variety of different feelings”, each of them
“hand-selected” having passed “a series of tests for pronunciation, spelling
and unique character”.
A business can narrow the choice by the line of trade it
pursues. The filter marked “food”, for example, reveals a selection that
includes Freshara, Mintero, Greeniva and Luvabite.
his Cubist arrangement of the
familiar – the stuff of nightmares – might have Esperanto as its inspiration,
or Edward Lear or the late Professor Stanley Unwin.
As the last might
have said, irritatingly, “Never a diageo by when I don’t aviva myself of a
nice-o cuppo tea in the early mordy.”
For all this nonsense, the route back to
the Midland could with any luck mark the beginning of the end.
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